Over the past few years H.264 has become a de facto standard for delivering high-quality videos with relatively small file sizes. It’s proven a popular format for delivering internet video and many of ...
The MPEG Licensing Authority has indefinitely extended the royalty-free Internet broadcasting licensing of its H.264 video codec to end users. The move erases a key advantage of Google’s WebM rival ...
No, you’re not reading that headline wrong. Last month, Google announced that it was removing support for H.264 video playback via the HTML5 <video> tag in its Chrome browser. The odd part about that ...
Over the weekend I read another few dozen articles on the whole Apple (AAPL) and Adobe (ADBE) debate and probably read through a thousand comments. Some of the posts I read were really good, but far ...
In the world of video codecs, ProRes and H.264 are two names that often come up. Both are widely used in the industry, but they serve different purposes and offer different advantages. In this guide, ...
This article appears in the August/September issue of Streaming Media magazine. Click here for your free subscription. If you produce Windows Media files, your encoder is working with code supplied by ...
Mozilla should pick up and use H.264 codecs that are already installed on the user's system. I've previously written about a variety of reasons this would be a bad idea, especially on Windows. Really ...
The signs are everywhere. Starting with IBC2004 in Amsterdam in early September, where Apple showed off an H.264 codec that yielded much better results than it did even at its impressive NAB debut, ...
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