Ho Tzu Nyen was born in 1976 in Singapore, where he lives and works. He received his BA from Victorian College of the Arts, University of Melbourne, in 2001 and his MA from the National University of ...
Rashid Johnson was born in 1977 in Chicago, Illinois, and lives and works in New York. Johnson, who got his start as a photographer, works across media—including video, sculpture, painting, and ...
Glenn Ligon was born in the Bronx, New York, in 1960. Ligon’s paintings and sculptures examine cultural and social identity through found sources—literature, Afrocentric coloring books, photographs—to ...
Elizabeth Murray was born in Chicago in 1940. She earned a BFA at the Art Institute of Chicago and an MFA from Mills College in Oakland, California. A pioneer in painting, Murray’s distinctively ...
Tania Bruguera was born in 1968 in Havana, Cuba. Bruguera, a politically motivated performance artist, explores the relationship between art, activism, and social change in works that examine the ...
Paul Pfeiffer was born in Honolulu, Hawaii, in 1966 but spent most of his childhood in the Philippines. Pfeiffer relocated to New York in 1990, where he attended Hunter College and the Whitney ...
Susan Philipsz was born in Glasgow, Scotland, in 1965. Philipsz’s work explores the psychological and sculptural dimensions of sound, with recordings of her voice and a variety of reworked musical ...
Wolfgang Laib was born in 1950 in Metzingen, Germany. Inspired by the teachings of the ancient Taoist philosopher Laozi, by the modern artist Brancusi, and the legacy of formative life experiences ...
Gabriel Orozco discusses his artworks that play on various types of games, and how those works relate to underlying theoretical concepts. ART21: Ping Pond Table—where did the idea for that work come ...
Abigail DeVille was born in 1981 in New York, where she lives and works. Maintaining a long-standing interest in marginalized people and places, DeVille creates site-specific immersive installations ...
Tala Madani was born in Tehran, Iran in 1981. She skewers stereotypes in her sharply satirical paintings that evoke clashes of culture: men and women, the rational and the absurd, Western and ...
Kara Walker discusses her 2002 exhibition at the Guggenheim Museum, Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On). ART21: What are your first thoughts about this piece here, at the ...
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